On a chilly morning in early January 2025, a small gathering of the BLE-London Digital Accessibility Working Group met at the Wellcome Collection to see the inspiring and creatively innovative exhibition by artist, Jason Wilsher-Mills. The exhibition tracks the period of Wilsher-Mills' childhood during the 1980s when he was laid up in hospital, paralysed from the neck down. The installations (sculptures, dioramas and illustrations) bring together vivid colour, avant-garde design and cheeky humour to convey what was happening to the artist at the time, and how the experience awakened his artistic skills.
Colleagues who attended the outing have shared their responses to the exhibition below. Huge thanks for their contributions. The exhibition has now finished (we caught it in its last week), but the website is still available here.
Simon Parr, School of Advance Study:"I found the ‘Jason and the Adventure of 254’ exhibition a highly enjoyable and
thought-provoking experience. It engaged with issues of disability, the body, creativity, and self-expression in a profound, engaging and sometimes, light-hearted way. It also used metaphors effectively to describe the experience of illness and disability, and the two that had the most impact on me were the small virus-carrying soldiers attacking the patient and the flashing lights on the giant patient. The lights illustrated the breakdown in communication between the brain and the body.
"An important thing I took from the exhibition was the capacity of young people to create rich worlds of their own with the influences available to them, even when they have limited movement and spend much of their lives in hospital. It all demonstrated the importance of nurturing the rich insights and contribution to all conversations from people with disabilities and how we need to do everything in our power to make this possible. For example, in the 1980s, the main piece of assistive technology available to Jason was a mouth-operated paintbrush, and even this rudimentary tool allowed him to share his creativity. This made me think about how we can all benefit when the improved technologies we have today are properly deployed."
Angela Taylor, SOAS:
"A fun and playful exhibition that introduces the social model of disability through art and lived experience. Great to share this with the digital accessibility working group and get out of the office at the start of term!"
Naomi Bain, Birkbeck:
"It was an unusual exhibition experience. Everything had a distinctive look, which was bold, busy, jarring, even ugly. While the exhibition was about the experiences of someone from a different background to me and was about his illness, medical procedures and disability, it was immediately relatable as I also grew up in the 80s. The style, the colours and the news and popular culture references took me back.
"The central piece, the figure in bed, was a compelling depiction of how the artist felt as a child being confined to a hospital bed and to a body that was not functioning as it previously had and did not feel like home to him any more. To me it brought back memories of childhood illnesses when I had delirium and my hands and feet felt huge and heavy.
"Being able to touch the artwork made the experience really different too. The tactile experience added something."
Carmen Fernandez, University of the Arts:
"The artwork reflects a strong connection with his family which I found very moving. There is a mixture of humour and seriousness, addressing the complex range of emotions of a child who had to learn too much about illness, treatment and disability at an early age. I think is fantastic how all this is conveyed in the drawings and especially in the dioramas, and we can see and feel his memories and reinterpretations of childhood experiences form an adult's point of view.
"I found the artist's personal journey very inspiring: learning who you are, which were the people and experiences that influenced both who you are now and your current view of the world.
"I'm glad I didn't miss it."